Ins & outs. A field analysis of the performing arts in Flanders

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cie SOIT

Author: Marie Roofthooft

Having been a member of the artistic core of Les Ballets C de la B for more than twelve years, Hans Van Den Broeck founded his own company, SOIT (stay only if temporarily), in 2001. His roles in the company are as director (film work and video) and choreographer. The result is an oeuvre that tacks between the boundaries of dance/performance and video. SOIT is based in Brussels and attracts artists from various backgrounds and nationalities.

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Les SlovaKs

Author: Marie Roofthooft

Les SlovaKs is a relatively young dance collective whose members are Milan Herich, Peter Jasko, Anton Lachky, Milan Tomasik and Martin Kilvady. Under the name ‘new traditional dance’, Les SlovaKs have developed a way of dancing and performing that is based on their shared background, history and frame of reference. At an early age the five were already dancing at the Slovakian dance academy in Banska Bystrica. Later they moved to Brussels to study and build up a professional career in contemporary dance companies.

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de Roovers

Author: Marie Roofthooft

After completing their studies at Antwerp Conservatory, Robby Cleiren, Sara De Bosschere, Luc Nuyens and Sofie Sente founded de Roovers in 1994. De Roovers is an ensemble of 4 actors/theatre-makers. For most of the productions the collective collaborates with the set designer photographer Stef Stessel. De Roovers opt for a small-scale organisational model, precisely so that they can focus all their attention on the content and artistic aspect of their work.

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De Tijd

Author: Annick Lesage

Like other companies in the ‘Flemish Wave’, De Tijd emerged on the margins of the theatre scene in the eighties. In the mid-nineties it created a furore with its spoken theatre and found itself at the heart of events in the performing arts world. Against the background of the present wave of multidisciplinary and technological work, this medium-sized company consistently continues to work on developing a single-discipline language-based theatre.

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NTGent

Author: Annick Lesage

As Ghent’s civic theatre, NTGent is faced with a new and challenging page in its history. After the successes of the director Johan Simons’ time as artistic leader, when NTGent made its breakthrough onto the international theatre scene, the core of permanent actors is now taking over the reins itself, under the leadership of actor and musician Wim Opbrouck. NTGent is increasingly presenting itself as a company of actors.

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Theater Stap

Author: Annick Lesage

Theater Stap is a theatre company which makes productions that revolve around people who are mentally disabled. Its artistic quality gives it a legitimate and unique position in the regular theatre circuit.

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Ontroerend Goed

Author: Annick Lesage

The theatre performance group Ontroerend Goed began in 1994 as a Ghent-based poets’ collective of young writers whose founding members were Alexander Devriendt, David Bauwens and Joeri Smet. Later joined by Sophie De Somere, they also form the present core.

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ZOO

Author: Annick Lesage

ZOO was founded in 1998 by the Swiss dancer and choreographer Thomas Hauert and is based in Brussels. He created ZOO’s debut production Cows in Space together with four dancer friends from the Rotterdam Dance Academy and the dance company Rosas (Mark Lorimer, Sara Ludi, Mat Voorter and Samantha van Wissen).

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Jan Fabre - Troubleyn

Author: Annick Lesage

Troubleyn/Jan Fabre is an Antwerp-based theatre company with an extensive international profile. Artist Jan Fabre has been the artistic director of the company since its founding in 1986. ‘Troubleyn’ means ‘staying faithful’ and expresses the company’s desire to cooperate in confidence with like-minded people on a long-term basis.

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Action Zoo Humain

Author: Annick Lesage

Chokri Ben Chikha, Omar Camara and Zouzou Ben Chikha founded the Nit Nithei Garabam npo in 1994. The organisation grew from a series of productions, projects and joint ventures with theatres and local authorities. In 2003, the Ben Chikha brothers then founded Union Suspecte, where the focus was on the creation of professional productions in which text, dance and music were combined.

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